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Vincent Niamien (Côte d'Ivoire)









Ousmane M’baye. MEUBLE DE CUISINE (KITCHEN FURNITURE), 2009. Galvanized metal, barrel lid 37 ½ x 5 x 24 ½ in. Courtesy of the artist. Photo: Ousmane M’baye





Balthazar Faye, Siège empilable Accolade, 1997. Contreplaqué d’aviation moulé à froid sous vide d’air et cordes. Hauteur: 77 cm


France/Sénégal. Collection particulière, © Archives musée Dapper et Hughes Dubois



Balthazar Faye, Bar musical pour "Africa Remix", 2004
(Africa Remix Music Bar)
Mobilier divers (technique mixte). Dimensions variables
Collection de l'artiste. Droits réservés. Photo Lothar Milatz


Alassane Drabo



Le minaret de la mosquée de Jingereber à Tombouctou (XIVe siècle, à gauche) et le "Tabouret Tombouctou" (2005) de Jules-Bertrand Wokam, exposé dans le "Design en Afrique" au musée Dapper à Paris.
Le minaret de la mosquée de Jingereber à Tombouctou (XIVe siècle, à gauche) et le "Tabouret Tombouctou" (2005) de Jules-Bertrand Wokam, exposé dans le "Design en Afrique" au musée Dapper à Paris.
Taguelmoust (Wikimedia Commons)/MUSÉE DAPPER ET HUGHES DUBOIS

Jules-Bertrand Wokam, Tabouret Tombouctou, 2005. Wengé massif sculpté et poli à la main. Hauteur: 40 cm. Cameroun. Collection particulière, © Archives musée Dapper et Hughes Dubois 































[Portfolio]

A gauche :République DÉmocratique du Congo, Iviart Izamba, Fauteuil Mobutu, 2005, Métal et peau, H. : 85 cm, Musée royal de l’Afrique centrale, Tervuren, Inv., n°HO.2011.54.1 © Photo Jo Van De Vyver, Mrac Tervuren © Archives Musée Dapper et Dominique Cohas - A droite : France / Mali, Cheick Diallo, Fauteuil Chekou, 2006, Métal et cuir., H. : 75 cm, Collection particulière © Photo Jo Van De Vyver, Mrac Tervuren © Archives Musée Dapper et Dominique Cohas

Yaka, République DÉmocratique du Congo , Appuie-tête, Bois et pigments, H. : 14 cm, Ancienne collection de Tristan Tzara, Musée Dapper, Paris. Inv. n° 2014 © Archives Musée Dapper – Photo Hugues Dubois


A gauche : Sénégal, Nicolas Sawalo Cissé, Chaise enfant, 1998, Contreplaqué de bouleau et boîtes métalliques de récupération, H. : 80 cm, Acquise avec l’aide du Conseil général de la Loire, Musée d’Art moderne de Saint-Étienne. Inv. n° 99.2.1 © Photo d'Yves Bresson / Musée d'Art Moderne, Saint-Etienne métropole- A droite : Dogon, Mali, Crosse-siège, Bois et pigments, H. : 45 cm, Collection particulière © Archives Musée Dapper et Dominique Cohas



A gauche : Sénégal, Ousmane Mbaye, Patrimoine, tabouret XXL, 2006, Tubes galvanisés et fûts de pétrole, H. : 57 cm, Collection particulière © Archives Musée Dapper – Photo Hugues Dubois  - A doite : Cameroun, Jules-bertrand Wokam, Tabouret Tombouctou, 2005, Wengé massif sculpté et poli à la main, H. : 40 cm, Collection particulière © Archives Musée Dapper Et Hugues Dubois


Akan / Akuapem, Ghana, Ville : Akuropon, L’Okuapemhene Nana Oseadeeyo Addo, Dankwa III, entre 1988 et 199, Photo de Daniel Lainé © Daniel Lainé / Cosmos


Autres: 
http://www.kossi-assou.blogspot.fr/

Dieter Rams: ten principles for good design


Dieter Rams: ten principles for good design

from : LINK
Back in the early 1980s, Dieter Rams was becoming increasingly concerned by the state of the world around him – “an impenetrable confusion of forms, colours and noises.” Aware that he was a significant contributor to that world, he asked himself an important question: is my design good design?
As good design cannot be measured in a finite way he set about expressing the ten most important principles for what he considered was good design. (Sometimes they are referred as the ‘Ten commandments’.)
Here they are.
 
VITSOE_PRINT 2_bw.eps
Vitsœ’s designer, Dieter Rams. Photograph by Abisag Tüllmann
Z > Graphics > 10 principles poster > Illustrations High Res
TP 1 radio/phono combination, 1959, by Dieter Rams for Braun
 

Good design is innovative

The possibilities for innovation are not, by any means, exhausted. Technological development is always offering new opportunities for innovative design. But innovative design always develops in tandem with innovative technology, and can never be an end in itself.
Z > Graphics > 10 principles poster > Illustrations High Res
MPZ 21 multipress citrus juicer, 1972, by Dieter Rams and Jürgen Greubel for Braun
 

Good design makes a product useful

A product is bought to be used. It has to satisfy certain criteria, not only functional, but also psychological and aesthetic. Good design emphasises the usefulness of a product whilst disregarding anything that could possibly detract from it.
Z > Graphics > 10 principles poster > Illustrations High Res
RT 20 tischsuper radio, 1961, by Dieter Rams for Braun
 

Good design is aesthetic

The aesthetic quality of a product is integral to its usefulness because products we use every day affect our person and our well-being. But only well-executed objects can be beautiful.
Z > Graphics > 10 principles poster > Illustrations High Res
T 1000 world receiver, 1963, by Dieter Rams for Braun
 

Good design makes a product understandable

It clarifies the product’s structure. Better still, it can make the product talk. At best, it is self-explanatory.
Z > Graphics > 10 principles poster > Illustrations High Res
Cylindric T 2 lighter, 1968, by Dieter Rams for Braun
 

Good design is unobtrusive

Products fulfilling a purpose are like tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained, to leave room for the user’s self-expression.
Z > Graphics > 10 principles poster > Illustrations High Res
L 450 flat loudspeaker, TG 60 reel-to-reel tape recorder and TS 45 control unit, 1962-64, by Dieter Rams for Braun
 

Good design is honest

It does not make a product more innovative, powerful or valuable than it really is. It does not attempt to manipulate the consumer with promises that cannot be kept.
620 chair for 10 principles
620 Chair Programme, 1962, by Dieter Rams for Vitsœ
 

Good design is long-lasting

It avoids being fashionable and therefore never appears antiquated. Unlike fashionable design, it lasts many years – even in today’s throwaway society.
Z > Graphics > 10 principles poster > Illustrations High Res
ET 66 calculator, 1987, by Dietrich Lubs for Braun
 

Good design is thorough down to the last detail

Nothing must be arbitrary or left to chance. Care and accuracy in the design process show respect towards the user.
10 principles > 606
606 Universal Shelving System, 1960, by Dieter Rams for Vitsœ
 

Good design is environmentally-friendly

Design makes an important contribution to the preservation of the environment. It conserves resources and minimises physical and visual pollution throughout the lifecycle of the product.
10 principles L 2
L 2 speaker, 1958, by Dieter Rams for Braun
 

Good design is as little design as possible




Less, but better – because it concentrates on the essential aspects, and the products are not burdened with non-essentials.
Back to purity, back to simplicity.